![]() “Seattle Opera has a history of bringing exceptional talent to the stage and pushing the art form forward that’s a legacy I hope to both continue and expand on,” Scheppelmann said. The Canadian Korean singer has made a name for himself: “With a powerful instrument and high As to rival any mezzo’s, he reinterprets the same kind of voice as something voluptuous and exotic” ( The Globe and Mail). ![]() The season also includes a debut for countertenor David DQ Lee as the Refugee in Flight. Scheppelmann is bringing in two visionary women, stage director Brenna Corner and conductor Lidiya Yankovskaya, to create a new Don Giovanni. Growing up in a small town, Mpofu taught herself to sing by mimicking opera DVDs before auditioning for college as a self-taught artist. S outh African soprano and international rising-star Vuvu Mpofu will sing Adina in The Elixir of Love. Scheppelmann is proud to reveal the internationally acclaimed roster of artists she’s selected, including t he “superb” ( Sidney Morning Herald) Saioa Hernández. Hernández, who “won La Scala hearts an instant love affair between soprano and audience” ( Bachtrack), makes her company debut as Tosca. This marks the first season to be programmed by General Director Christina Scheppelmann-one of only a few women to lead a major opera company in North America. The romantic comedy The Elixir of Love and the double-bill Cavalleria r ustica na & Pagliacci will all be performed for the first time in decades. A udiences will be treated to beloved classics Tosca and Don Giovanni, as well as a contemporary work Flight, inspired by the true story of stateless refugee Mehran Karimi Nasseri, who was stranded for 18 years and forced to live in the Charles de Gaulle airport. ![]() ![]() Seattle Opera has just unveiled its 2020/21 season-a year that highlights opera’s rich past, and its bold, diverse future. ![]()
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